!!! NEW ALBUM About Ghosts will be released on June 13 2025 on Nonesuch Records !!!

One of New York City’s most in-demand guitarists, over the past decade, Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

“I started writing this record in the fall of 2023, for Amaryllis, and I thought, ‘You know what? I want to add more saxophones.’ And I just started writing,” Halvorson says. “It felt like an experiment. I was just feeling ... denser harmony, more horns. But I wanted to stick with Amaryllis, so it felt natural to add a couple of saxophones to Amaryllis rather than doing an entirely new thing; I’d been playing so much at that point with Amaryllis and we were in a really good place.

“I guess I do that a lot. Take something that already feels good and then add an element, kind of throw a wrench in it, and see what happens,” she laughs.

Another instrument that can be heard on “Carved From,” among other tracks, is a Pocket Piano synthesizer that Halvorson’s childhood friend Owen Oborn, from Critter & Guitari, recently gave her. “I’ve never played a synthesizer before, but I thought, ‘Wow, if he gave this to me, I should really figure out how to play it.’ I used it on a bunch of tracks, as overdubs. You’ll hear weird non-guitar sounds woven in throughout,” Halvorson says.

“I wasn’t using it to improvise. I was trying to find an additional layer to build into the compositions, the whole time being like, ‘I’ll throw it out if I don’t like it.’ But John Dieterich, who mixed the record, incorporated the synth perfectly. It felt like a subtle layer had settled there, which could almost escape one’s notice. Sort of like the ghost member of the band.”

Pitchfork noted in its review of Halvorson’s last album, “There is something curiously absolute about Cloudward, whose eight pieces seem chiefly to express their own elegant systems of order and disorder, rather than reaching outside themselves to convey particular emotions or images.” And Bandcamp noted, “Halvorson continues to give her excellent band plenty of freedom in how the pieces come together, producing her most richly contrapuntal music yet. That achievement speaks to the elasticity, presence, and imagination of her bandmates, who built spectacular, rigorous marvels from her malleable frameworks.”